This version of the image combines my more recent ripped aesthetic with those historical iterations to reference my past but also create something new.Īnother image that was an important part of my evolution is Proud Parents, with the couple cradling the bomb like a baby. I focused primarily on the original André the Giant visage for the first few years of my street art experiment, exploring lots of color combinations, Op Art, and animal-patterned backgrounds. André with the ripped layers of different backgrounds I created between 19. The logical first image to highlight is the O.G. They address recurring topics in my career, such as phenomenology, self-empowerment, rebellion, abuse of power, environmental destruction, racism, gender inequality, xenophobia, campaign finance reform, the military-industrial complex, propaganda, war and peace, and economic imperialism. The artworks represented in Facing the Giant: 3 Decades of Dissent & New Works were selected because of their aesthetic and conceptual importance. Can you tell us about the process behind selecting these specific works, and any personal highlights that are featured within this series?

This set of 30 works spans 30 years of your career and features André the Giant, your seminal Obey, and more. Shepard Fairey, 3 Decades of Dissent (complete set of 30 works) (2019–20).

Art prints printing